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Quite. CDs filled an important need at the time they came on the market - quality music reproduction that did not degrade with repeated use like vinyl or tape does. Sure, digital delivery would have been nice, but back then modems ran at about 1200bps and mp3 encoding was a gleam in the eye of someone at the Fraunhofer Institute.

Two wrongs don't make a right; saying the service isn't good enough is a cheap excuse. Pirates should articulate what they do pay for, not what (they say) they would pay for. Talk is cheap, distribution and marketing do have costs associated with them.

Edit: my point is to defend the basic idea of copyright and content distribution as an economic good, rather to support any particular distribution model or SOPA itself. Coming from a film background, it costs a great deal of money to bring a high-quality film to the screen, and to reliably recoup that investment, distributors usually spend 50% of the film's budget on marketing. Films are sort of like startups insofar as each one is a little self-contained business, and the same is true of alnums, TV shows etc., but discussion of the economics from the content production side is often sorely lacking in debates about piracy.



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