> The biggest problem keeping Americans from watching UK TV is access
I love British TV. I would happily pay for a UK television license if I could access iPlayer/Channel 4/etc from the US. I don’t get why they are so hell bent against making more money and insist on region locking content. Instead I have to resort to pirating it or buying import DVDs/BluRays.
A long time ago I used to pay for a Linux shell account on a UK provider so I could access iPlayer via a SOCKS proxy. (This was long before VPN providers were popular.). It was awesome to see the latest Top Gear or Kitchen Nightmare episode. It’s a shame we’re locked out of such wonderful content.
You should look into BritBox[0], a BBC and ITV project, available on Roku, Amazon, and probably other platforms. I have no affiliation; I was just born and raised as a child in the UK and miss the shows. It's got quite a lot.
It does, but it’s also a frustrating demonstration of the access problem. It’s mostly a cavalcade of endless police/detective/murder mystery shows. It has Red Dwarf and classic Doctor Who, but the panel show selection is spotty and they don’t bother to add new seasons in a timely fashion. It does have much of Would I Lie To You but they don’t add new episodes when they air in the UK. They seem to have given up on adding new seasons of 8 Out of 10 Cats Dows Countdown.
I can't watch Red Dwarf any more. It has aged terribly. The overacting (eg The Cat), the canned laughter to fit the TV format... I think I was just "meh" about it until I listened to the audiobook read by Chris Barrie (the actor who played Rimmer). I didn't even want to listen to it but my wife insisted that I'd love it. I did. In contrast to the TV series, the book is fresh, genuinely funny and surprisingly astute. The story is narrated by Rimmer, who is a wonderfully awful character, full of self-loathing and false confidence. I challenge anyone to listen to that audiobook without finding embarrassing parallels between themselves and Rimmer. The characters of Lister and Rimmer are more fully developed, making the TV series feel thin and pointless in contrast. I suppose it was pitched too hard at evening British TV audiences of the late 80s.
Whatever. The effect is horrible. And plenty of times live audiences are worse than the ones that come out of a can. Watch the "WAT" video twice, and you'll know what I'm talking about... That one person who has to laugh fast and loud to let everybody know "I GOT THE JOKE BETTER THAN YOU DID". It gets in the way of the viewer engaging with the show.
> I don’t get why they are so hell bent against making more money and insist on region locking content.
Maybe it has something to do with the license being a tax vs a service charge? Seems like opening the door for anyone with an internet connection would only help fund quality programing. $160 a year isn't terrible. Maybe there are issues with distribution rights too. I'd do it too if I could, but I'm with you and I'll take what options they leave me with.
They may still be making more money by regional licensing than just opening up paid streaming to the rest of the world. The support on that alone might be ... expensive.
I love British TV. I would happily pay for a UK television license if I could access iPlayer/Channel 4/etc from the US. I don’t get why they are so hell bent against making more money and insist on region locking content. Instead I have to resort to pirating it or buying import DVDs/BluRays.
A long time ago I used to pay for a Linux shell account on a UK provider so I could access iPlayer via a SOCKS proxy. (This was long before VPN providers were popular.). It was awesome to see the latest Top Gear or Kitchen Nightmare episode. It’s a shame we’re locked out of such wonderful content.