And yet your example is squarely in the center of the problem. How many children's books from 1850 are in your house? How many children's books from 1950 are in your house? What percentage of your own children's books are still in your possession?
Children's books have a very short shelf life. New ones get published all the time. A very tiny percentage become Curious George and get reprinted for decades, but the rest go out of print. The printed copies get used by children and therefore become ragged and nasty. In ten years you will have thrown them away. Hopefully you will have thrown them away: Clutter is no good either. If we want to preserve them it should not be your house's job.
This is why archiving is hard. It is why backups are hard. It all seems so redundant when the objects are shiny and new and sitting right there, they're in the stores, they're on all your iDevices, they're all over YouTube. And then one day you wake up and the original film of your 1970s-era Oscar-winning movie has fallen apart. This actually happens! You've got to think ahead.
The danger of the digital era is that we get tempted to rely on a number of physical copies that is so small that we get blindsided by black-swan accidents. That's what this is really about. The movie Metropolis was ultimately saved because it was distributed in physical copies and a film archive in Argentina didn't throw theirs away like everybody else. That sort of thing is in danger of stopping. Make copies!
I am 100% in favour of archiving and I agree with your point entirely. My frustration is directed towards those who believe that within the next few decades, printed books will be obsolete.
I tend to agree that we have a little time, but then again these things happen quickly when they happen. If you don't prepare in advance, you end up trying to invent your archiving plan in the middle of the fire sale.
This needn't actually be that hard if we do it systematically.
Children's books have a very short shelf life. New ones get published all the time. A very tiny percentage become Curious George and get reprinted for decades, but the rest go out of print. The printed copies get used by children and therefore become ragged and nasty. In ten years you will have thrown them away. Hopefully you will have thrown them away: Clutter is no good either. If we want to preserve them it should not be your house's job.
This is why archiving is hard. It is why backups are hard. It all seems so redundant when the objects are shiny and new and sitting right there, they're in the stores, they're on all your iDevices, they're all over YouTube. And then one day you wake up and the original film of your 1970s-era Oscar-winning movie has fallen apart. This actually happens! You've got to think ahead.
The danger of the digital era is that we get tempted to rely on a number of physical copies that is so small that we get blindsided by black-swan accidents. That's what this is really about. The movie Metropolis was ultimately saved because it was distributed in physical copies and a film archive in Argentina didn't throw theirs away like everybody else. That sort of thing is in danger of stopping. Make copies!